Question Convention.

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Hellooo nurse! I mean, everyone. I’m back (for the mo). Lots of things have happened since my last appearance:

- I got a job with the biggest print organisation in Singapore. If you wanna look it up, it’s called ‘SPH’. I’m employed as a ‘journalist’, but I’m really a sub-editor. So the kinda tasks I do is proofread and tweak the reporter’s stories, do a little paragraph arranging, and basically be the last ‘line of defense’ to keep any mistakes out of the paper. The paper I work for is really a ‘mosquito press’ free tabloid that they give out at train stations and various distribution points, but hopefully I’ll be able to work my way up to the main broadsheet, ‘The Straits Times’. As an interesting note, this is one of only two media companies that publish newspapers (the other is Mediacorp). So really, we don’t have much in terms of media diversitfication or press liberties, and the hours (2 pm to 11 pm) are kinda odd, but I’m not complaining!

- I’ve resigned from my previous graphic designer job and said farewell to all my friends in Sydney. I also had the opportunity to meet up with Phileas aka Gabe in the city before my departure. Yes folks, he’s a truly remarkable person in real-life and every bit as cheerful and good-natured as you imagine him. We went to watch the (headache-inducing) battleship and hung out for coffee afterwards, so it was good to finally see him in-person. I also went for a family trip to Melbourne and with my friends to the Kiama Blowholes. I will miss the friends I made Down Under, but my siblings are still there, so hopefully I can catch up wtih them again in the future.

- I’ve moved back to Singapore, the country where I’ve spent my high-school years and half my life in. It’s kinda weird to be back in the same apartment from five years ago (although it’s a different unit) and basically play house-sitter for my parents (they’re moving back to our homeland, Malaysia), but hey, at least there’s no rent!

- I’ve got an iPad last Christmas, and an iPhone two months before that, both of which I’ve been eagerly downloading apps onto. These devices may not have the best specs (You should really go with Samsung or Acer for better value), but man, are there so many awesome games and apps to try! And nothing beats reading My Little Pony fanfiction on iBook!

- Speaking of which, I’ve been actively participating in the Brony community both in New South Wales and Singapore (the latter during my annual trip back). I’ve also appeared on EQD a couple of times (mostly cos’ I’ve been bugging Seth/pre-readers with my pony cameos in my former company’s magazine) and I hope to write some fanfiction or do some fanvideos over the next few months. Tonight I’ll watch Season 2’s finale, and then it’s many months of agony until the next season.

- My grandmother of 70+ years passed away on Monday in the presence of my parents. This is the wonderful lady who I will always remember giving me those cheek-sucking kisses and bone-crushing hugs as a kid and attempting to speak to us in Hokkien and broken Malay. She will be dearly missed, rest her soul.

So that’s pretty much it, a lot of things have changed, yet much of it has remained the same. I have big plans in the coming months - a relaunch of my Youtube channel (Prepare for a REALLY BIG REVEAL), some new video-editing programs I’ve been playing with, a couple of fanfics and fanart in the pipeline, and hopefully enough time and courage to pursue them. Here’s to a great summer ahead! :)

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Those of you who follow my blog would’ve read my previous post on my spoof of The Incredibles in my magazine company’s publication. Now I’m proud to present to you my take on John Carter, which I successfully pitched to my boss as a new theme for that district.

As the movie was directed by Andrew Stanton, I couldn’t resist to throw in a few Wall-E references, which you can see below.

Also, I made a flash animation on the site where Rainbow does her epic Sonic Rainboom. You can see it in the link I’ve given below.

Cover - http://i44.tinypic.com/htfaxy.jpg

Rainbow Dash Closeup - http://i42.tinypic.com/mj1w8g.jpg

Eve Closeup - http://i39.tinypic.com/vrzmm0.jpg

Wall-E Closeup - http://i40.tinypic.com/npl4ps.jpg

Centrespread - http://i40.tinypic.com/144h1e.jpg

Axiom Closeup - http://i44.tinypic.com/rhtzcw.jpg

Web animation - http://www.nmags.com/fn/index.php

Equestria Daily Nightly Roundup #271

Halfway there, guys! Also, do check out my review of the movie itself!

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I’m part of a design team for an advertising magazine, and I’ve managed to convince my boss to do a Pixar spoof for the district magazine I’m in charge of. Being a longtime Pixar fan, this was a great opportunity for me to finally parody one of their movies in a published magazine in wide circulation within the Sydney area.

We usually recycle titles that’s been run in other districts before, so I dug ‘The Edibles’ from the archives and gave it a 2012 revamp! Yeah, the title doesn’t make sense; this was made when they used to do themes according to businesses featured in the centrespread, so for the past edition, they had an F&B theme going on.

I’ve snuck in a real-life Remy from another Brad Bird masterpiece (Ratatouille) and the Pixar Planet logo onto a real-life recreation of the Pizza Planet Truck (the body is a Toyota Hilux, while the rocket is actually TinTin’s rocket).

And of course, being a massive My Little Pony: Friendship is Magic fan, I couldn’t resist sneaking in another of the Mane Six - this time it’s Drama Queen Rarity! It’s really the same horse I used for Twilight in the December issue for another district, but with a different mane (now it’s all wavy!). It was a rush job as I added her in at the last-minute, but again it managed to pass editorial checks because I doubt anyone in my office has seen The Incredibles besides my design team colleagues. Also, I made a flash animation on the site where Rarity explodes (once though, not twice).

Enjoy the following images of the cover and centrespread.

Cover - http://i41.tinypic.com/rc52qq.jpg

Centrespread - http://i43.tinypic.com/s6uq29.jpg

Remy Closeup - http://i42.tinypic.com/rtewbp.jpg

Pixar Planet Closeup - http://i42.tinypic.com/1rw8l4.jpg

Rarity Closeup - http://i39.tinypic.com/a9wi8j.jpg

Web animation - http://www.nmags.com/cn/index.php

Oh, and I made Equestria Daily’s Nightly Roundup again! I have plans to include the rest of the Mane Six in future editions. ;)

Equestria Daily Nightly Roundup 266

P.S. I’ve hidden myself on the cover, see if you can spot me!

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Looks like those little green men ain’t so little after all.

Andrew Stanton has a lot to live up to for his first live-action movie. Hot on the heels of Brad Bird, another Pixarian who also made his own live-action directorial debut in the specatcular Mission Impossible: Ghost Protocol, Stanton not only has to live up to the film’s reported $250 million price tag, but do the grandaddy of science-fiction tales justice.

John Carter has been a film in development purgatory for many years. Its first attempted screen adaptation by Looney Tunes director Bob Clampbett might have been stolen the title of first feature-length animated film from Snow White and the Seven Dwarfs, but it unfortunately failed with test audiences. Since then, it has gone through a number of notable film figures: animation legend Ray Harryhausen, producer Jeffrey Katzenberg who is now Disney and Pixar’s arch-nemesis, Robert Rodriguez and the late Frank Frazetta, and Jon Favreau, who would go on to direct another science-fiction blockbuster: Star Trek.

Eventually, though, the hot potato got passed on to Stanton, who had directed a personal favourite of this author which coincidentally, was also a science-fiction film. Wall-E, and his first Pixar film Finding Nemo, were one of the studio’s greats, and now he and Mark Andrews (also a Pixarian) have been tasked with this bringing Edgar Rice Burrough’s magnificent space opera to the big screen.

I have not read the source novels before, so I went in not knowing anything other than the cinema posters and Frank Cho and Frazetta’s renditions of the beautiful Dejah Thoris, Princess of Mars. In some aspects, the film succeeds in being the grand adventure tale it promises in the trailers and ads. The film takes a while to pick up, and one of my cinema partners almost fell asleep during the opening act. Once our hero arrives on Mars (or Barsoom, as the natives call it), the film kicks into high gear. It also features one of the most exhilarating and memorable scenes of the movie, when Carter discovers the extent of his strength and agility due to Mars’ reduced graviational pull. It managed to recapture the same childish delight of Wall-E’s first foray into outer space or the sea turtles whizzing through the East Australian Current in Nemo. The battle scenes also evoke the savagery of Frazetta’s paintings and a gladiator-style match is reminscent of a similar sequence in Star Wars Episode 2: Attack of the Clones.

Unfortunately, the film gets bogged down in tiresome exposition about halfway through, with Dejah Thoris explaining what the audience has already figured out if they have seen the trailers (that yes, he is in fact on Mars). Carter is also not so much a master of his own destiny as more of a pawn being conveniently rendered unconscious multiple times to meet the next character/go to the next setting.

Much like Finding Nemo’s Marlin, Carter has a tortured past and emotional baggage to carry with him on his journey. Unfortunately, this is hinted at early on in the film and much like Daniel Craig’s character in Cowboys & Aliens, I already figured it out way before the great revelation in the middle. Nemo does this better by getting us to empathise with the hero from the very first scene, but here it is executed in a very mauldlin and overly sentimental way. Dejah doesn’t fare better, as she is reduced to the typical damsel-in-distress-who-is-actually-capable-of-taking-care-of-herself. There’s nothing wrong with her being a stereotype, but it would’ve been much more intriguing if there was something more to her than just being the female badass.

Interestingly, it is the Tharks, who are the supporting characters in Carter’s quest, that prove the most interesting. Willem Dafoe (who voiced a fish in Finding Nemo) is Carter’s ally Tar Tarkas. His first interaction with Carter is another memorable sequence, bringing to mind Tarzan and Jane’s meeting from another of Burrough’s classics. His daughter, Sola is another empathetic character who looks out for Carter, despite his constant disobedience and ignoring of her advice. I kinda felt sorry with how much suffering her character goes through, often as a result of Carter’s nonchalant apathy and selfish desire to find his “cave of gold”. This was also another problem I had with Carter as a character; it is hard to admire him as a hero when he only looks out for himself, although this is somewhat redeemed towards the end.

Michael Giachinno, a longtime Pixar collaborator and composer of Ghost Protocol’s score, provides an entertatining, although somewhat forgetable soundtrack to Carter’s odyssey. I couldn’t remember any particularly outstanding track, and it felt very trailer soundtrack-ish. With his previous works like Wall-E, with its mechanical and etheral whines, or Up, with its classical strings and old-school adventure fanfare, or Cars, with is British surf-inspired espionage-y beats, there was a theme running through all the tracks. I can’t remember any from Carter. Maybe it will come to me on a repeat viewing, but for it to not linger in my mind, it must have been pretty unremarkable.

If you’re starting to think John Carter is a dud, either from this review or its current Tomatometer rating, I want to say it’s much better than that. When it fails, it’s mildly entertaining, but when it succeeds, much like the titular protagonist, it soars. There are unexpected moments of warmth and mirth when you least expect it. The side characters are rich and indelible (the little dog thing that chases Carter like the Roadrunner cartoons will no doubt sell Happy Meal toys faster than a White Ape). The twist ending involving none other than Burroughs himself delivers a huge payoff (my friends and I got a kick out of analysing it and the other possibilities that could’ve happened if it didn’t work out). And the final shot, when you see it, will remind you of another film which owes it a huge debt: James Camerons’ Avatar.

If you’re going in expecting something deep or insightful, you’re better off watching a George Clooney Hawaiian movie. But if you’re after a rousing pulp adventure that occassionally meanders but ultimately delivers, then suspend your disbelief and gravity and take a trip with Carter.

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On Saturday, February 11th 2012, TDIT won a record five Pixar Planet Awards for ‘Funniest Member’, ‘Most Informative Member’, ‘Best Critiquer’, ‘Best Video Maker’, and ‘Best Debater’. Here is his acceptance speech, posted 2 weeks later.


Sorry for the late reply, but better late than never! For those who don’t have the time or inclination to read this whole post, just skip to the last paragraph for a ‘TL:DR’ summary!

I’m so touched to receive so many awards this year, I don’t think I’ve had this many previously! To be nominated for Best Critiquer and Best Video Maker for the third and second year running respectively is just… woah. Being the inaugural winner for ‘Best Debater’ (I should be a politician, hurr hurr) and ‘Most Informative’ was cool too. I’m flattered to think I’m the ‘Funniest’, but if I make you laugh, I guess that’s the icing on the cake! Kudos to my fellow winners, you deserve your titles! And a big thank you to those who have voted for me and supported my fanwork all these years. You are the reason why I do what I do.

To those who didn’t win or weren’t nominated this year, I strongly encourage you to keep at what you do, and hopefully you’d improve enough to be recognised next year! There are some categories which I wished I had won, like fanfiction and fanart, which I have never achieved, but I don’t let that get me down. There are people who deserve this more than I do, and maybe someday, I can be as good as them, with enough courage and perseverance!

I’m proud to be a part of this community for close to five years (I joined in late 2008), and contribute to its rich history. Over the years, I’ve seen members come and go, events commence and conclude, and the fanworks of our dedicated Planeteers florish and bloom. I will never forget the old-timers and those nights (or mornings) we shared together watching our favourite Pixar films. I will also cherish the memories I have and will continue to have with the newcomers, and watch as they continue to bring the site into a brighter future.

I remember there was one time I did a rant about how the Brain Trust should move on and let the younger Pixarians take over and move the studio forward. I’m afraid now I’m going to have to live my own words, judging by the budding talents and hardworking staff we have on this forum. While this will not be the end of my contributions to the fandom, I’m afraid my ‘golden era’ is over, as I move on the next stage of my life and the responsibilities of adulthood.

I’ll still pop in here, though, from time to time. Well, I pretty much do every week, anyway. I’m not quite sure whether I will ever leave this place, but if some day I do, I just want y’all to know it’s been a great ride, and that you made it all the more awesome.

A big shout-out too, to TSS and little_chef for organising this year’s awards. I consider you both as two of my best buds here, and I’m thankful for all the love and friendship you have given me. Same goes to everyone else here; whether you realise it or not, you have shaped my life in one way or another, and I am grateful for that. It has been an honour.

TL:DR Summary - Thank you for the Awards, and congratulations to everyone for being a part of the greatest Pixar fansite on the Internet!

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A bit late here (especially considering the ep was prematurely released), but seeing it’s Valentine’s Day, I might as well put in my few cents on the recent ep.

Usually I enjoy the CMC eps, it’s sort of the ‘beta’ group of friends to the Mane Six, and this episode’s no exception. I thought it would be incredibly annoying to watch them basically try to force two ponies into a relationship, but their reactions somehow come off so precious and earnest that it ended up being adorable for me. Of course, the road to hay is paved with good intentions, and we eventually see the meddlesome trio get their comeuppance in the end. ;)

And of course, it was fun watching Big Mac and Cherilee going googly-eyed at each other. It’s also astounding how easy it is to make a ‘roofie’ in the pony universe, not to mention how ripped Mac is pulling an entire house (and one pony) with ease.

I half-expected the trio to fail the attempt to keep them apart and try something else, but when it succeeded, I realised the episode was ending already and that [i]was[/i] the climax! Just goes to show time flies when you’re watching ponies.

“Also did anyone catch that Twist and the chubby male pony were hugging? And that a female classmate gave Diamond Tiara a card and DT approved in the same short shot? Nice little details there. Plus Caramel has a girl friend! And “Doctor Whooves” was with a certain crossed eyed pegasus on a bridge too.”
- Quote by a Planeteer

I caught Twist pinning the tail on Cherilee, but all the rest… HNNNGGG :shock: I must keep my eyes peeled, perfect excuse for a rewatch!

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The following are two separate posts on Pixar Planet by TDIT in reply to several members’ opinions on Derpy Hooves’ recent portrayal in ‘The Last Roundup’, an episode from ‘My Little Ponies: Friendship is Magic’. The pivotal scene where Derpy’s name is canonized drew controversy and criticism when fans wrote in to object to the name and behaviour of the character, which they felt was offending to the mentally-disabled. The episode has since been removed from iTunes for unspecified reasons.

Post on January 24, 2012

“I did enjoy the scene, although I do agree with the points you’ve raised regarding how it might be regarded as insensitive. I’m sorry about your friend and the pain she had to go through being called names behind her back; everybody deserves dignity and respect. Like you said, I don’t think the creators intentionally set out to demean those with intellectual disabilities, but since this was (perhaps unfortunately) the name the fanbase went with, they had to go with it for the namedrop. Perhaps a more neutral name like ‘Bubbles’ or ‘Muffin Top’ or even ‘Silly Willy’ would’ve been more tactful instead. But then you’d have another round of whiners complaining about ‘Golden Harvest’ or ‘Hearstrings’. Besides, we could attribute her being referred to as “Derpy” to Rainbow’s callous personality, so it could simply be a nickname people call her.

I’ve given this matter some thought and realised that giving ‘silly’ characters silly names in animation is nothing new. Disney has Goofy, Warner Bros. has Daffy, Pixar has Bubbles, Dreamworks has Lord Farqhuad, etc. ‘Derpy’ can be seen as an intellectual epithet, but it was never meant as a mean-spirited jibe for the majority of fans, only as a term of endearment. Not that there aren’t cruel fans who delight in seeing Derpy getting into trouble, but that’s probably why she’s so empathetic to all of us - cos’ we all make mistakes and we don’t know everything. Unlike say, Jimmy from South Park or Scrat from Ice Age, who play Butt Monkeys, Derpy doesn’t necessarily have misfortunes happen to her as cause them indirectly. And deep down, she’s just well-meaning and friendly, from what we’ve seen so far.

It’s good that the episode writer is aware of the repercussions of making the name Canon, and even then, it might not be entirely her fault. Maybe some higher-up or lower-down suggested she throw the fans a bone and make their day, so she just wrote it in.

Overall I’m really happy the creators have finally acknowledged her fanon name and personality, but reading posts by mentalguru and a few others elsewhere about how the name and voice has upset them makes me feel bad somehow (not blaming y’all, just that now I see that scene in a different light).”

Post on Feb 07, 2012

“I listened to balddumborat’s opinion video (we can all comiserate together over why she wasn’t picked to voice Derpy, as unlikely as it would’ve been) and was about to post it here, but someone has beaten me to it. Curse you, you have foiled my well-laid plans (well, actually my plans are mostly badly-laid, but I digress)!

Personally, I feel that both sides have an equal point on the matter. On the one hand, the word might be ‘loaded’ and offensive to some, and it’s better to err on the side of caution and be polite. On the other hand, to treat the mentally-disabled in a special manner (pun unintended, honestly) is in itself reverse discrimination (or affirmative action).

I’m not saying that we shouldn’t treat everyone with respect, because we all deserve it. But as balddumborat pointed out, there have been silly characters in the show before - like Snails, and Pinkie Pie to an extent. And of course, the entire Mane Six are stereotypes personified. You don’t see tomboys, or nerds, or beauty queens getting outraged over the (sometimes) heavy-handed depiction of their personalities. Maybe it’s because it isn’t as controversial or culturally-sensitive as a mentally disabled person. It shouldn’t be that way, really. I’ve had friends and relatives with such conditions but I talk to them in a normal manner, just that sometimes I have to be aware that they may require assistance with some tasks (just like an elderly person or a pregnant woman, you talk, you joke with them, but you’re aware of their needs).

Again, I don’t think they intentionally set out to outrage the mentally-disabled community. Perhaps they were being insensitive, but again the interpretation of the word is subjective. Disney has Goofy, and Dopey. Warner Bros. has Daffy. Cartoon Network had Billy from Billy and Mandy, Ed from Ed, Edd, and Eddy, I.R. Baboon from I.M. Weasel, etc (The last three from CN in particular, are as Robert Downey Jr. from Tropic Thunder would say, “Full Retard”). There’s a whole legacy of silly characters with silly names, but because MLP has entered the cultural zeitgeist, the helicopter parents, special needs caretakers and sensitive people take notice. Why the double standards, the hypcorisy? Why can’t a googly-eyed, klutzy pony have a nickname in a kid’s show? You might as well take out Timmy from Southpark (whose portrayal I find waaay more offensive than Derpy), or never have Forrest Whitaker act in any movie, because we refuse to ackwnoledge the existence of wall-eyed people.

Nobody complained when Snails spoke in a slurry voice, or when Twilight and Pinkie briefly ‘lost it’ in [i]Lesson Zero[/i] and [i]Party of One[/i] respectively (at least, not to my awareness). ‘Brown Syndrome’ folks never said a word when they made her eyes her defining feature. But you get a mare acting clumsy (notice, she’s merely being clumsy and blissfully ignorant, but not incapable of coherent speech or thoughts) and people get up in arms about it.

All that said and done, though, the way how people who voice their objection to Derpy were instantly dismissed or derided is not fair either. We should respect opinions from everyone, whether we agree with them or not. Even universally abhorrent things have shades of grey in them, depending on the context and circumstance (and which moral philosophy model you support). So while I, on a personal level, am not offended, I can understand how others can be, and they have my sympathy (I don’t know if that came out right). We shouldn’t shoot someone down when they say “I’m hurt by this statement/remark/character’s name/etc.”, but rather try to find the reason why.

You ask my opinion, I think they should keep Derpy in. I don’t mind if they change her name to Ditzy and change that awful voice (Tabitha in fact admitted she thought she was voicing a stallion! See, people derp all the time). But please don’t remove her entirely; to deny her existence or character as a simple-minded but good-hearted pony is still discrimination in my books.

On another note, the line between affectionate parody and cruel mockery can be very thin. Most people don’t see a problem taking the Mickey out of Twilight movies or Justin Bieber (and believe me, it does get downright mean-spirited at times), but when they do it to Schindler’s List or Stephen Hawking, we get outraged. Does a movie having serious themes mean it is immune to criticism or reconstitution? In this liberal age where we have ‘Hitler Rant’ videos, maybe not now.

Do we ascribe a greater human value to Stephen Hawking than Justin Bieber? Ignore the obvious answer that Stephen Hawking achieved more in contributing to the collecting knowledge of mankind than Bieber and that Bieber is able-bodied; what I mean on a fundamental level is why don’t we treat the two with equal respect as good-natured and law-abiding (as far as I can tell) human beings? Make a ridiculous parody of Bieber being blown to smithereens and nobody blinks. Do the same thing with Stephen Hawking (even though such a parody would have nothing to do with his disability) and you’re asking for trouble.”

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This is the best day of my LIIIFEEE…!!!

Part of the reason why I enjoy being part of the My Little Pony: Friendship is Magic fandom is that the creators frequently acknowledge and interact with the fanbase. I don’t mean this in the patronising ‘sell merchandise and flog spin-offs’, although MLP: FIM does the former to an extent. I mean it in the honest sense of engaging with the fans on an equal level, as demonstrated by creator Lauren Faust’s replies to comments on her deviantART page, or current season 2 director Jayson Thiessen entertaining an interview by fan site Equestira Daily. Even amongst each other, we collaborate with our own fanartist-celebrities (I recently communicated with the legendary artist ‘Pixelkitties’ to ask her permission to use one of her characters in my fanfic).

The opening of this episode is the culmination of that auteur-audience relationship. What was once a vector error in the pilot episode has been shaped by the collective observation and imagination of Bronies (fans of the show) into a lovable mailmare who has a penchant for muffins and being endlessly accident-prone. Aptly dubbed ‘Derpy Hooves’, the dopey pony with bubbles for her cutie mark has been the subject of countless fanfics and fanart, but her canon name and voice have remained a mystery.

Until now.

For the benefit of those who haven’t seen the episode, I won’t spoil on what she does or how she sounds like - just that the result of her actions provide the ‘driving force’ for much of Applejack’s plot, and that she’s voiced by Tabitha St. Germain, voice of Rarity and a few other characters.

After the spectacular opening, the rest of the episode is equally breathtaking. Unlike ‘Find a Pet’ and ‘Baby Cakes’, in which I saw the moral and ending a mile away, this one actually has a pretty good mystery. Seasoned viewers might still be able to figure out what’s going on with Applejack, but I’ll admit I was thrown for a loop halfway with the introduction of Cherry Jubilee (who shares the name of a G1 pony). There’s lies, there’s deception, there’s cherry-changa and kumquat, and there’s a thrilling stagecoach chase before the tearjerking and heartwarming ending.

Oh, and taking a leak is now canon. But don’t worry, it happens off-screen.

Thank you, FIM creators, for making this one of the most rewarding and delightful all-ages show in recent memory, and giving us the canon-birth of Derpy.

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Just another day at the office.

Ethan Hunt and his team of Impossible Missions Force agents are pulling off yet another ridiculously difficult assignment (breaking into the Kremlin undetected and stealing classified documents) when things go spectacularly wrong. A nuclear extremist called Cobalt detonates a bomb that destroys the Kremlin and escapes with the codes to arm Russia’s nuclear missiles, leaving Hunt and his team to be implicated in the disaster. Disavowed and branded as terrorists, the remains of the IMF must now stop Cobalt from starting World War Three, while sorting out each other’s alliances and differences.

This is Tom Cruise’s character’s latest mission in a nutshell. But for him and Brad Bird in his live-action directorial debut, the stakes are much higher: impressing longtime fans of the franchise and upping the ante from the previous instalments.

I haven’t watched the original TV show, but I’ve seen the previous three films and enjoyed each of them for different reasons. Well, okay, M:I:2 by John Woo was kinda disappointing, but at least it was set in Sydney, my second home. And I’m a fan of Bird and his movies: the traditionally-animated classic ‘The Iron Giant’, the superhero homage ‘The Incredibles’, and the inspiring tale of a rat who became a chef, ‘Ratatouille’. And now he can add another winner to his sterling resume; this is probably my second-favourite in the series (the first is still JJ Abram’s M:I:3).

Right from the first two minutes, we are thrown into an action sequence featuring Josh Holloway from Lost and the excitement doesn’t let up, even with its lengthy running time of 2 hours. Tom is clearly in his element as the lantern-jawed hero who doesn’t quit, while Simon Pegg’s Benji gets an upgrade from techie to field agent. Rounding off the crew is Paula Patton as Jane Carter, a beautiful agent with vengeance on her mind, and Jeremy Renner as William Brandt, an enigmatic analyst who shares a dark past with Hunt.

The setpieces are spectacular and brilliant; maybe it’s just me, but Bird’s experience in animation seems to have rubbed off on the film, from the spoiler-ridden ‘follow the fuse’ opening credits (unless you’ve seen the trailer), to the lifelike dust storm that swallows Dubai in one inventive chase sequence. But not surprisingly, it is the sequences sans the CGI that prove the most memorable. The standout scene of Tom scaling the world’s tallest building, the Burj Khalifa, deserves to be seen on the largest screen possible (I was lucky to catch it at the Lido IMAX in Singapore). The sight of Tom hanging by the tips of his fingers a thousand feet above the city is enough to make the strongest of viewers sweat their palms and clench their sphincters.

Michael Giacchino has interestingly worked on the last Mission Impossible as well as two of Bird’s movies. For this outing, he brings an international flavour, with clever variations of the theme in different cultural styles – from the chorus of a Russian marching band, to the percussion-driven rhythms of Arabic music. A Dean Martin favourite of mine also features in an entertaining prison breakout sequence.

The only qualms I had was that the villains were underdeveloped. Michael Nygvist gets decent screentime as Cobalt, but doesn’t really interact with Hunt as trade a few glances and punches. Vladimir Mashkov’s Russian Agent Sidorov is tasked with bringing Hunt in, but he does little beyond show up in Hunt’s wake and being an occasional annoyance. Aniel Kapoor’s arms dealer was surprisingly the most interesting to watch, as he attempts to (unsuccessfully) seduce Carter in typical Bollywood ‘tease me-tease you’ fashion.

Another letdown was the whole ‘rogue agent’ premise that was hyped in the promos and taglines. Even though they’ve been disavowed and denied backup and support, the team still get a cache of weapons and equipment, with Benji’s incredible hacking skills coming in handy during sticky situations. It’s not like Hunt had much backup in the previous movies anyway; M:I:3’s third act was more convincing in its impromptu plans and one-man-army desperation. I was expecting something along the lines of the Bourne series or Quantum of Solace’s simplicity, but the team still gets a lot of toys to play with and convenient modes of transportation. This wouldn’t be an issue if it wasn’t marketed that way, so if you’re expecting a stripped-down, bare-bones spy thriller without the fancy gadgets, this would be deceptive advertising.

So is it Mission Accomplished for Bird and his team? In my opinion, a resounding yes – it’s a character piece that manages to include emotional weight without becoming angsty, it’s a good old-fashioned spy flick without being overly reliant on shakey-cam or CGI shots, and it’s another stellar entry that takes the series in a new direction while still respecting its roots. In fact, it might even contend with Fast Five for being my favourite live-action film of the year.

Now your mission, should you choose to accept it, is to go see this movie and let me know what you think. Oh, and this blog post will self-destruct in 5 seconds.

P.S. Pixar fans will relish a reference to one of the studio’s inside jokes in the film. Let’s just say you’ll know it when you hear it.

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The following was posted on Pixar Planet, Christmas Day Singapore time:

Hello again, my fellow Planeteers! Been a long time since I’ve been here, but just wanna drop by and wish y’all a very Merry Christmas, Hannukah, Saturnalia, and New Year! :) If there’s one thing great about this day (besides the birth of a very significant historical figure), it’s the one time of the year where we spend time with our friends and family, and count our blessings.

I’m grateful that I’ve started my first job out of uni barely two months after my graduation in this difficult job market. I’m glad my brother is back from his exchange in Paris and Manchester to spend the holidays with us. I’m relieved my dad made it through another operation and his back’s better (though he’s still grumpy as ever). I’m thankful to have met not one, but two Brony communities (New South Wales and Singapore) IRL and lived to tell the tale! I’m excited my siblings and I are gonna jump on the bandwagon and get iPads for Christmas, and this after I’ve already got a new iPhone 4S (Thanks, dad).

But most of all, I’m just happy to have known all of you for so many years, even though I’ve only met one in real-life and only a handful have ‘found me on Facebook. I really treasure the amazing times we had together, and I truly hope they last for many more years to come. Thank you everyone, for being my friend and fellow Planeteer, and may the Omniescent Deity Upstairs bless you all.

Season’s greetings,
Andre

:D